This is because it is one of the most versatile focal lengths that you will come across as an option for your lens. This means that when you shoot at this focal length you are giving your viewers a vantage point similar to if they were on the scene, this is one reason why 35mm is so popular in film and video work.
A 50mm prime is a reasonable starter lens for portraits, but it's not much use otherwise, as it's restrictive indoors and not really suitable for landscape (unless you have a special scene). Many people consider 35mm to be also a bit restrictive, but the good thing is that the Nikon DX 35mm f/1.8 is quite inexpensive.
As you can see, 35mm captures more of the scene and is suitable for full-length and waist portraits. 50mm will take shoulder-length photos without distortion and with noticeably creamy bokeh. You can also use a 50mm lens to capture more scene, but you need to step back.
The 35mm lens is considered the very beginning of wide angle lenses. It is the most subtle wide angle on the market and that is why it consistently delivers great shots. It is certainly not fish eye, certainly not super wide angle, but it is wide enough to capture a subject interacting with their environment.
24mm (Still Good But Getting Narrower)
Again, this isn't a hard-and-fast rule and you can take spectacular landscape photographs at 24mm, but you're no longer ultra wide and may start losing the scale and grandeur of some large scenes. Images tend to flatten out the more you zoom in.#2: Versatility – The 35mm lens can be used for almost anything: Landscapes, portraits, travel shots, macro photography, street photography, real estate photography, product photography – just about everything.
With that said, the 28mm focal length is comparatively more forgiving in documentation. At the same closer focusing distance, 28mm enables a wider angle of view than 35mm. Because of that, the 28mm focal length opens up more space in-frame to accommodate increased coverage for group documentation.
14mm f/2.8: A wide-angle, wide-aperture lens for astrophotography. 16-35mm f/4: Intended for the most important range of wide angle shots. 24-70mm f/4: Meant as a walk-around lens for normal focal lengths. 70-200mm f/4: Ideal for capturing distant landscapes and isolating subjects.
Prime lenses are typically sharper than zooms, too, so you can get nicely detailed, sharp photo with a prime lens for landscape photography. The only downside to a standard prime lens is that with a fixed focal length, you're perhaps more limited in how you frame the shot than you would be with a zoom lens.
You can cover functionally the same landscapes with a 16-35mm f/2.8, a 50mm f/1.8, and a 70-300mm f/4.5-5.6. You can cover it all with prime lenses (14mm f/2.8, 24mm f/1.8, 35mm f/1.8, 50mm f/1.8, 85mm f/1.8, 135mm f/2, 200mm f/2.8, or a smaller sample of those).
Landscapes usually require very good sharpness, and the 50mm prime lenses excel at that. As with most lenses, its sweet spot isn't wide open, but more in the f/4 to f/5.6 range. Even narrower apertures will still yield excellent results. The 50mm prime allows you to capture very sharp images.
So in landscape photography, you'll typically want to use a higher f stop, or narrow aperture, to get more of your scene in focus. Generally, you'll want to shoot in the f/8 to f/11 range, topping out at around f/16.
14mm f/2.8: A wide-angle, wide-aperture lens for astrophotography. 16-35mm f/4: Intended for the most important range of wide angle shots. 24-70mm f/4: Meant as a walk-around lens for normal focal lengths. 70-200mm f/4: Ideal for capturing distant landscapes and isolating subjects.
Ideal Focal Lengths for Landscapes
- 14mm (Ultra Wide but Fun)
- 18mm (Our Second Favorite Focal Length)
- 21mm (The Sweet Spot)
- 24mm (Still Good But Getting Narrower)
- 27mm (The In-Between Focal Length)
- 35mm to 50mm (Great For Landscape Detail Shots)
- Telephoto (50mm+)
- Canon Landscape Lenses.
The Best Cameras for Landscape Photography
- Nikon D850. With its massive 45.7-megapixel resolution and outstanding dynamic range, the full frame D850 is hard to beat.
- Canon EOS 5DS R.
- Canon 5D Mark IV.
- Sony A7R III.
- Nikon Z 7.
- Canon EOS R.
- Fujifilm X-T3.
- Nikon D5600.
Wide-angle lenses are ideal for landscape photography: They have more depth of field at any given aperture setting and camera to subject distance than telephotos. It is simple to stop down and obtain front to back sharpness.
Best Nikon Lenses in 2020
| Product | Features | |
|---|
| Nikon 35mm f/1.8 BEST VALUE PRIME (DX) | Versatile focal length Great Bokeh Great Value Small & Light | View Price → |
| Tamron 10-24mm f/3.5-4.5BEST VALUE WIDE ANGLE ZOOM (FX or DX) | Great Value Useful Vibration Control Great Image Quality Great Build Quality | View Price → |
35mm is the focal length most closely resembling the field of view that we see with the human eye depending on who you ask. These 35mm lenses are generally fairly free of distortion, while at the same time being wide enough to capture a scene and also allowing for you to get in close for a more traditional portrait.
Best 35mm Lenses For Nikon Cameras – 2020 Ultimate Round-up
- OUR TOP PICK: Sigma 35mm F1.4 Art DG HSM.
- BEST BUDGET OPTION: Nikon AF-S NIKKOR 35mm f/1.8G ED.
- Tamron AFF012N-700 SP 35mm F/1.8 Di VC USD.
- Nikon AF FX NIKKOR 35mm f/1.4G.
- Carl Zeiss 2111-637 Milvus 35mm F/1.4 ZF.2.
Benefits of 35mm:
Will give a wider view than 50, which is better for street photography on a crop sensor camera. The 35mm is equivalent to 52.5mm on the D5200, whereas the 50mm is equivalent to 75mm. 75mm is quite near to 85mm which is considered to be a very good focal length for portraits.A 35mm Prime Lens Captures Wide-Angle Shots - But Not Too Wide-Angle. As Julia points out in her video, when you're traveling, one of the most common subjects for photos is the landscapes you encounter. But, still, even on a crop sensor camera, a 35mm lens is a great choice for travel photography.
The Nikon 35mm f/1.8 DX is Nikon's best fixed normal lens for DX cameras. It is especially wonderful for shooting anything hand-held in available light. The 35mm f/1.8 DX doesn't work well or at all on 35mm or FX cameras, but it does autofocus perfectly with every Nikon, especially the least expensive DX cameras.
The reason the 35mm lens is more expensive is because of the flange to sensor distance on an SLR. The SLR needs a mirror box to fit between the lens mount and the film or sensor. Mirrorless bodies have a big advantage when it comes to wide angle lenses, the lens design can be simpler and smaller.
In photography, the 35 mm equivalent focal length is a measure that indicates the angle of view of a particular combination of a camera lens and film or sensor size. The term is useful because most photographers experienced with interchangeable lenses are most familiar with the 35 mm film format.
Lenses, DX or FX, are specified in terms of their focal length, not their field of view. A lens with 35mm focal length provides a certain field of view on a full frame (FX) sensor, and a different field of view on a crop (DX) sensor, but in both cases the focal length is still 35mm.
The Nikon 35mm f/1.8 G is a fast, sharp, light, fast-focusing wide-angle lens. It lets in more light than any f/2.8 zoom for shorter shutter speeds or lower ISOs for sharper, clearer pictures in low light. AF is fast and accurate.
The Best Night Photography Lenses for Nikon Cameras
- Nikon 14-24mm f/2.8.
- Tamron 15-30mm f/2.8.
- Tokina 16-28mm f/2.8.
- Nikon 24-70mm f/2.8E VR (as well as the older version and all third-party variants)
- Laowa 12mm f/2.8.
- Sigma 14mm f/1.8.
- Samyang 14mm f/2.4.
- Samyang 14mm f/2.8.
This Nikon 35mm f/1.8G lens is a compact, lightweight, fast normal to wide-angle lens for full-frame FX and 35mm cameras. It has great optics and ergonomics in a lightweight housing.
Top Portrait Photography Lenses for Nikon DSLRs
- NIKKOR 35mm f/1.4G. A classic portrait lens from NIKKOR.
- Sigma 35mm F1. 4 Art.
- Zeiss Milvus 35mm f/1.4. One of the sharpest and most high quality 35mm lenses available.
- NIKKOR 50mm f/1.8G.
- NIKKOR 50mm f/1.4G.
- NIKKOR 70-200mm f/2.8E.
- Tamron 70-200mm F/2.8.
- Tamron 85mm F/1.8.
Only nikon lenses that are weather sealed I think are the gold ring lenses. Re: 35mm f/1.8 G is weather sealed? The manual specifically states you should not get it wet and must shield it from rain. so no.
Yes, it can; pretty much any lens can, given a wide enough focal length. The wider the lens, the bigger the ratio, so a 35mm lens will give you a good macro shot (at least in terms of magnification).
Nikon makes a DX-format sensor and an FX-format sensor. The DX-format is the smaller sensor at 24x16mm; the larger full frame FX-format sensor measures 36x24mm which is approximately the same size as 35mm film. Different NIKKOR lenses are designed to accommodate the different camera sensor sizes.
You can create such blurred background (bokeh) with any lens, but for the best quality bokeh, consider a prime lens - something like a 50mm or 85mm - with a large aperture like f/1.2 or f/1.4. Either of these lenses are ideal for portraits anyway.
